By Steven Connor
In past phrases, Steven Connor seeks to appreciate spoken human language outdoor phrases, a realm that encompasses the sounds we make that deliver intensity, which means, and confusion to communique. Plunging into the connotations and makes use of linked to specific teams of vocal utterances—the guttural, the dental, the fricative, and the sibilant—he unearths the ideals, the myths, and the responses that encompass the growls, stutters, ums, ers, and ahs of daily language.
Beyond phrases is going open air of linguistics and phonetics to target the preferred conceptions of what language is, instead of what it truly is or the way it works. From the moans and sobs of human grief to playful linguistic nonsense, Connor probes the fringes and boundaries of human language—and our definition of “voice” and meaning—to problem our uncomplicated assumptions approximately what it truly is to speak and the place we discover which means in language. through attractive with vocal sounds and tics frequently trivialized or missed, past phrases provides a startling and engaging new solution to have interaction with language itself.
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Additional info for Beyond Words: Sobs, Hums, Stutters and Other Vocalizations
It may be regarded as the tense overture or onset of tears, the damming or welling of the tension that will spill over into the unloosed inundation of fullblown howling or roaring. Equally, it may be thought of as the depleted hiccuping into which the wail proper decays. ’19 An eighteenth-century commentator writes, by contrast, that ‘grown persons sigh; children sob . . ’20 Borgquist holds strongly to the view ‘that a reaction so uniform in its characteristics and so widespread over the human race is instinctive in its actions’, yet will not conﬁrm the universality of the sob, saying only that ‘There is little explicit mention of the sob in the ethnological returns.
Hiatus The sound represented by the letter h is eccentric to most of the schemes for classifying language. Although h is usually thought of as a kind of consonant, it does not perform the function that is often thought to be characteristic of consonants, namely that of stopping, detaining or detouring the efﬂux of air through the mouth. Aspiration is a feature of all of the consonants, with the sizzle of sibilant s and fricative ff, or the little detonations of air released in the wake of 39 beyond words dental d and t, or plosive p.
Or is it me is? I’m getting mixed. Brightening up and tightening down. 41 The voice is the vehicle and the arena of this agon between dissipation and replenishment. Our celebrations of the voice are too monotonously pitched in the register of fullness, richness, clarity and penetrativeness, the bay is too regularly accorded to the energetic out-loud and ‘haute voix’. The autumnal, deciduous voice, which is heard in illness, fatigue, ague and age, is not epically shredded by 31 beyond words passion, but rather silted with lilting circumstance.