Download Borges' Short Stories: A Reader's Guide by Rex Butler PDF

By Rex Butler

The Argentine author Jorge Luis Borges is absolutely one of many defining voices of our age. because the moment global battle, his paintings has had an important impression on generations of writers, philosophers, and literary theorists. This advisor deals a detailed interpreting of ten of Borges' maximum brief tales, looking to deliver out the common sense that has made his paintings so influential. the most element of the advisor deals an research of such key words in Borges' paintings as "labyrinth" and the "infinite" and analyzes Borges' specific narrative thoughts.

This consultant additionally units Borges' paintings inside of its wider literary, cultural and highbrow contexts and gives an annotated consultant to either scholarly and renowned responses to his paintings to aid extra reading.


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Extra info for Borges' Short Stories: A Reader's Guide

Sample text

Indeed, Borges even translated Kafka’s famous parable ‘Before the Law’ immediately before his own period of major fiction-making. In the end, ‘Kafka and His Precursors’ is not so much a parody or satire as a literary manifesto or even an act of autobiography. Appearing in the guise of literary criticism, the essay is perhaps as close as Borges ever got to declaring his own literary methods and inspirations. The essay is certainly an almost perfect demonstration of the particular form of logic that runs throughout Borges’ work, of that which makes it ‘Borgesian’.

There appears to be no consistent plan or design, with the most heterogeneous styles and functions yoked together without any thought. Almost in horror, Rufus flees the City, once again having to negotiate the series of underground chambers. There to greet him when he finally emerges is one of the Troglodytes who had earlier followed him. This particular Troglodyte accompanies Rufus on his subsequent journeys; and Rufus calls him Argus, after the dog in Homer’s Odyssey. Rufus, as he gets to know him, is led to remark on how different their respective experiences must be.

It is they who of all authors can actually appear unoriginal, to add nothing to literature, to already be in all other authors. However, for all of the sense that we miss the essence of Kafka in each comparison made with him, Kafka would also be nothing outside of these comparisons. The activity of the critic in finding sources or influences, of comparing a great author with others, is absolutely necessary. And even to attempt to avoid this by speaking of some real Kafka behind all of these comparisons is only to produce another comparison.

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