By Louis-Ferdinand Céline
Ce cahier rassemble, pour l. a. période 1932-1957, toutes les interviews, réponses à des enquêtes, lettres de Céline adressées à des journalistes et publiées par eux, qui portent sur l. a. littérature ou sur des sujets généraux.
L'ensemble représente los angeles participation de Céline, plus lively qu'il ne l'admet en général, à l'actualité littéraire de son temps. Beaucoup de ces textes, en particulier les plus anciens, sont très peu connus et font à l'œuvre un accompagnement souvent éclairant. On y trouve notamment un grand nombre des déclarations dans lesquelles Céline s'explique sur son travail littéraire. Quant à ses kin avec les journalistes, on verra qu'elles diffèrent sensiblement de l'image qu'il en donne dans plusieurs de ses romans.
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Additional resources for Céline et l'actualité littéraire (1932-1957)
The most important and characteristic of his writings are his dialogues which are satirical exposes of ancient mythology and contemporary philosophy. One of these dialogues is a wellknown dream in which Sculpture and Education debate their merits in order to entice Lucian into following one or the other career. Education— in reality it represents a literary careertriumphs, and Lucian, after having awakened from the dream, states the lesson for himself and his readers: "So it was with me, and I told you this dream in order that those who are young may take the better direction and cleave to education.
Shortly after Olivares came to power, he embarked on a policy of foreign involvement. The archduke Albert died without leaving an heir and Flanders reverted to Spain. Although Albert had been in favor of a continuance of the truce with the Dutch, it came to an end since Spaniards were loath to recognize Dutch independence. Except for Spinola's capture of Breda (1625), immortalized in the famous painting by Velazquez, Spanish arms could not subdue the rebels. The Duke of Uceda had embroiled Spain (1620) in the Thirty Years' War (1618-1648) and, in view of Spain's Catholicism and traditional ties to the Holy Roman Empire, it was inevitable that Olivares should continue in this conflict which pitted the Hapsburgs and Catholic princes against the German Protestant Denmark, England, and the United Provinces were to participate in this war.
During this banishment satisfactorily Penafiel, first-born son of the QUEVEDO 34 from Madrid, he kept abreast of Spain's political events and immersed himself in writing more suefios, retouching and adding to the Politica de Dios (Politics of God), begun in 1617, and composing the short Mundo caduco (The Worn-Out World), Quevedo's version of what occurred in Italy in the years 16131620. Grandes armies de quince dias (Great Annals of Tivo Weeks) is another political piece written at Torre de Juan Abad when Quevedo got word of the death of Philip III.