By Various, Reza Negarestani, Robin Mackay
Cookery hasn't ever been so excessive at the time table of Western pop culture. And but the endlessly-multiplying television exhibits, the obsessive curiosity within the provenance of components, and the get together of 'radical' experiments in gastronomy, let us know little concerning the nature of the culinary. Is it attainable to keep up that cookery has a philosophical pertinence with out in simple terms appending philosophy to our burgeoning gastroculture? How could the standard feel of the culinary be increased right into a philosophy of 'culinary materialism' in which synthesis, experimentation, and operations of combining and mixing take priority over research, subtraction and axiomatisation?
Drawing on assets starting from anthropology to chemistry, from airtight alchemy to modern arithmetic, 'Collapse VII: Culinary Materialism' undertakes a trans-modal scan in culinary considering. a variety of participants together with philosophers, cooks, artists, historians,and synaesthetes study the cultural, business, physiological, alchemical or even cosmic dimensions of cookery, and suggest new versions of culinary proposal for the long run.
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Additional info for Collapse Volume VII: Culinary Materialism
It's that elimination of the distinction between necessary and accidental. C: During the period we are discussing, we find a con fluence between chemistry - before it really had a word for itself - and philosophy. It wasn't just philosophy reflecting on chemistry. IHG: No; in fact the idea of separating the two was as alien to the Naturphilosophen as it was to those who overtly opposed them: who opposed them 50 Grant - The Chemical Paradigm fundamentally on grounds that cannot be reduced to either the philosophical or the scientific.
Heath (Cambridge: Cambridge University Press, 1988), 257. 45 COLLAPSE VII astrophysics and so forth, there is nevertheless a proc ess of exchange that constitutes the very Sun. So, the idea of ontological priority being attached to physics rather than chemistry rests on a version of linear production that chemistry confutes, and this is why we could comfortably talk about, as it were, the genesis of all things, in chemical terms, or at least in terms that directly reference chemistry. So the other side of that is, I think, that there is this fascinating question that arises in the context of the thinking of the philosophy of nature at the end of the eighteenth and the beginning of the nineteenth century: this question is basically 'what is nature' - one of the most fundamental questions, the Greek ques tion obviously, the question of the pre-socratics, also the question of Aristotle, and Plato's question.
So if you look at 51 COLLAPSE VII some of the essays in the mid-twentieth-century, up to about 1975, on the speculative philosophy of nature, on the one hand they are full of venom about the work of the earlier period; on the other hand they want to say that anything that might have been of value in it, was in fact arrived at by different means. But this is actually a staggering admission: if there is more than one means to arrive at a given product, whether this be urea or concepts, then why resist the opportunity to pursue that?