By Geoffrey Cocks, Visit Amazon's James Diedrick Page, search results, Learn about Author Central, James Diedrick, , Glenn Perusek
Director of a few of the main debatable motion pictures of the 20th century, Stanley Kubrick created a name as a Hollywood outsider in addition to a cinematic genius. His different but particularly small oeuvre—he directed merely 13 motion pictures in the course of a profession that spanned greater than 4 decades—covers a huge variety of the topics that formed his century and maintains to form the twenty-first: battle and crime, gender relatives and sophistication clash, racism, and the destiny of person company in a global of accelerating social surveillance and control.
In Depth of Field, best screenwriters and students examine Kubrick's movies from various views. They learn such groundbreaking classics as Dr. Strangelove and 2001: an area Odyssey and later movies whose severe reputations are nonetheless in flux. Depth of box ends with 3 viewpoints on Kubrick's ultimate movie, Eyes vast Shut, putting it within the contexts of movie background, the historical past and conception of psychoanalysis, and the sociology of intercourse and gear. Probing Kubrick's entire physique of labor, Depth of Field is the 1st really multidisciplinary research of 1 of the main leading edge and arguable filmmakers of the 20th century.
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Extra info for Depth of Field: Stanley Kubrick, Film, and the Uses of History
10 (October 1999): 52–60. 39. Johnson, “Writing for the Movies,” 35. In a 1981 interview, Johnson praised Kubrick’s literary sensibility and his contributions to the screenplay for The Shining: “He’s quite a good writer, as well as a great director, and he really improved my version a lot” (Chicago Review 33 : 75–79, 77). See also “Diane Johnson, Screenwriter,” in Ciment, Kubrick, 293–95. 40. Diane Johnson, interview with Barbara Lane, Commonwealth Club of California. html ( July 1, 2002).
1 Another member of the New York Wlm 31 32 vincent lobrutto community from the Wfties remembers Kubrick with a treasured tome that contained every possible variation of dramatic narrative. As a Look photojournalist, Kubrick rendered stories with his camera. With a series of images, the young photographer created a visual narrative—he was in fact searching for the movies. Kubrick’s Wrst encounter with a professional writer was a pairing with Look staV writer G. Warren Scholat Jr. They did not collaborate on the process of connecting words with images, but when Kubrick learned that Scholat had worked for the Walt Disney Studio, the quiet photographer talked to him about his plan to become a Wlmmaker.
Kubrick’s work is reminiscent of Max Ophuls, whose camera in La Ronde (1950), his Wlm of Schnitzler’s play The Roundelay (1897), likewise Xoats in and out of rooms recording the sumptuous and decadent manners of old Europe. What strikes Kreider most of all, however, is the commodiWcation of people during the most commercialized time of the year, Christmas. ” Thus the central theme in Eyes Wide Shut, according to Kreider, is the exploitation of the powerless many by the powerful few, a consistent theme, as we have seen, in Kubrick’s oeuvre.