By Ben Goldsmith, Geoff Lealand, Mark David Ryan
This addition to Intellect's listing of global Cinema sequence turns the highlight on Australia and New Zealand and provides an in-depth and interesting examine the cinema produced in those nations because the flip of the 20th century. even though the 2 countries percentage huge cultural and fiscal connections, their movie industries stay precise, marked by means of variations of scale, point of presidency involvement and investment, and relatives with different international locations and nationwide cinemas. via essays approximately in demand genres and topics, profiles of administrators, and accomplished stories of vital titles, this undemanding advisor explores the variety and uniqueness of movies from Australia and New Zealand from Whale Rider to The Piano to Wolf Creek.
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Extra resources for Directory of World Cinema: Australia and New Zealand
The film opened the door for Weir. His subsequent film, Homesdale, met with even greater success, winning Best Film, Best Short Fiction Film, and the inaugural award for Best Direction at the 1971 AFI Awards. In 1974 Weir made his feature film debut with The Cars That Ate Paris. The story about the inhabitants of a small town, Paris, who earn money from car crashes that they cause, is a satire on Australians’ love for cars. The black humour and grotesque characters of this and Weir’s other films (including The Plumber, 1979) place them within the so-called ‘Australian Gothic’ genre.
And puzzling the Directors 45 Directory of World Cinema mystery out is not the aim. Weir loves open endings, because the essence of his stories is facing the Other – other reality, other cultures, other men – rather than unravelling the mystery. Although the ‘magic of cinema’ has become a cliché nowadays, it is difficult to find a more appropriate epithet for Weir’s movies and Picnic at Hanging Rock is the best example of that. Martyna Olszowska The Last Wave Country of Origin: Australia Studio/Distributor: Ayer Production Australian Film Commission Director: Peter Weir Producers: Hal McElroy Jim McElroy Screenwriters: Tony Morphett Petru Popescu Peter Weir Cinematographer: Russell Boyd Art Director: Neil Angwin Editor: Max Lemon Duration: 106 minutes Genre: Drama Thriller Cast: Richard Chamberlain Olivia Hamnet David Gulpilil Fred Parslow Vivean Gray Year: 1977 46 Australia & New Zealand Synopsis The film opens with a series of shots: an Aboriginal man painting mysterious signs on a cave wall, a group of Aborigines looking for a shelter although there are no clouds on the sky and only a sound suggesting a coming storm, and a small outback town where unexpectedly it is hailing.
The strange Manager of the hotel, who resembles Dr Frankenstein, decides to dispose of Mr Malfry’s body the next morning. But in the night calm Malfry shows his ‘worst face’ and takes his revenge on the butcher by killing him. The movie ends with the Manager welcoming new guests and presenting staff members. Malfry is among them. Anthony Wallis Critique Editor: It is difficult to classify Australian Gothic as a genre, although it is possible to list common features for movies of the 1970s described by this term.