By Kubrick, Stanley; Kubrick, Stanley; Kuberski, Philip
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Extra info for Kubrick's total cinema : philosophical themes and formal qualities
When women urinate, matters are not so clear. Female urination can be seen as a form of camaraderie that encourages intimacy and revelation. If a tampon is passed between stalls, we know that sisterhood is flourishing. Defecation, on the other hand, is not yet legitimate. Rabelais and Joyce attempted to bring it into literary respectability, and it plays a role in specialized pornography and in the occasional surrealist film, such as Luis Buñuel’s The Discreet Charm of the Bourgeoisie (1972), in which people move their bowels together at table and retire to small private rooms to eat.
While Halloran means to reassure them about this abundance, his catalog can only point elsewhere for the source of worry: “You know, Mrs. ” Happiness or psychic wholeness depends, according to one who shines, on a fully integrated system of consumption and evacuation. To be “irregular” is to be unhappy—or in Jack’s case—maddened. In contrast to the homey meals that Wendy and Danny eat, Jack is seen eating alone only twice. There is something predatory and alienated about his meals. On Closing Day, we see him finishing his lunch when Ullman meets him.
Drinking and dining in A Clockwork Orange tend, unsurprisingly, toward the perverse or the irregular. Alimentation is not a wholesome, human custom and organic necessity, but a paradoxical act that recycles and exhibits violence and lust. For Alex and his droogs, drinking doctored milk in a bar is a prelude to their violent evening activities. Like big babies, they drink tall glasses of milk dispensed by the plastic breasts of the Korova Bar’s female decor: “milk plus vellocet or synthemesc or drencrom .