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By Ivan Callus, James Corby, Gloria Lauri-Lucente

'What, in conception, is type? How has variety been rethought in literary theory?'

Drawing jointly major teachers operating inside and around the disciplines of English, philosophy, literary concept, and comparative literature, kind in conception: among Philosophy and Literature units out to reconsider the $64000 yet all-too-often-overlooked factor of favor, exploring particularly how the theoretical humanities open conceptual areas that come up with the money for and inspire mirrored image at the nature of favor, the ways that variety is skilled and the way sort permits disciplinary barriers to be either drawn and transgressed.

Offering incisive reflections on sort from a various and modern diversity of theoretical and methodological views, the essays contained during this quantity seriously revisit and problem accredited money owed of favor, and supply clean and compelling readings of the relevance in any rethinking of favor of particular works by way of the likes of Shakespeare, Petrarch, Kant, Nietzsche, Heidegger, Deleuze, Blanchot, Derrida, Nancy, Cixous and Meillassoux.

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Style in Theory: Between Literature and Philosophy

'What, in idea, is sort? How has variety been rethought in literary thought? '

Drawing jointly top teachers operating inside and around the disciplines of English, philosophy, literary thought, and comparative literature, kind in thought: among Philosophy and Literature units out to reconsider the real yet all-too-often-overlooked factor of favor, exploring specifically how the theoretical humanities open conceptual areas that have enough money and inspire mirrored image at the nature of fashion, the ways that type is skilled and the way sort permits disciplinary barriers to be either drawn and transgressed.

Offering incisive reflections on sort from a various and modern diversity of theoretical and methodological views, the essays contained during this quantity severely revisit and problem approved bills of fashion, and supply clean and compelling readings of the relevance in any rethinking of fashion of particular works through the likes of Shakespeare, Petrarch, Kant, Nietzsche, Heidegger, Deleuze, Blanchot, Derrida, Nancy, Cixous and Meillassoux.

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Indd 44 10/25/2012 10:46:31 AM PETRARCH AND THE BIRTH OF STYLE 45 not a question of leadership but rather one of “emulatio” between strong equals. In a letter to Quintilian, Petrarch discusses the envy or “livor” which caused great discord between Quintilian and Seneca: Fuit autem tibi emulatio non levis magni cuiusdam viri alterius, Anneum Senecam dico; quos etas, quos professio, quos natio iunxerat, seiunxit parium pestis, livor; qua in re nescio an tu modestior videare: siquidem nec tu illum pleno ore laudare potes, et ille de te contemptissime loquitur.

Cambridge, MA: Blackwell Publishers. indd 48 10/25/2012 10:46:31 AM 3 Style, rhetoric, and identity in Shakespearean soliloquy Stuart Sillars Any attempt to address the issue of style in Shakespeare’s plays is essentially bound up with the concept of character, the idea of separate voices interacting, that has become the fundamental approach to the larger dramatic structure, whether performed or read. For too long, the idea of the psychologically valid, consistent, and continuously active individual figure within the plays has exercised a distortive force on the dramatic entity, imposing a whole series of reductive interpretations on the plays when read and in performance.

Libri 1–4 . Firenze: Le Lettere. —. 1997b. Le familiari. Edited by Vittorio Rossi and Umberto Bosco. Vol. 4. Libri 20–4 . Firenze: Le Lettere. indd 47 10/25/2012 10:46:31 AM 48 STYLE IN THEORY Pigman III, George W. 1980. ” Renaissance Quarterly 33: 1–32. Plato. 1989. Classical Literary Criticism. Edited by Donald Andrew Russell and Michael Winterbottom. Oxford: Oxford University Press. Santagata, Marco. 1993. I frammenti dell’anima: Storia e racconto nel Canzoniere di Petrarca. Bologna: Il Mulino.

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